Her artistic practice can be described as an elaborate exploration of movement. She has a special interest in
the repetitive gestures of contemporary labor, the notion of care and carrying, and the mechanization of our
everyday life.
She studies movements that have become common property and are a testament to their time and the ever-
changing social climate. The questions of animal-human cohabitation and care, leisure, productivity, con-
sumption, and mass choreography phenomena in the age of digital media are all present in her paintings.