Her artistic practice can be described as an elaborate exploration of movement. She has a special interest in
the repetitive gestures of contemporary labor, the notion of care and carrying, and the mechanization of our
She studies movements that have become common property and are a testament to their time and the ever-
changing social climate. The questions of animal-human cohabitation and care, leisure, productivity, con-
sumption, and mass choreography phenomena in the age of digital media are all present in her paintings.